Andrew Jones

Truth is in the eye of the editor

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A decade of austerity and political crisis has led to a revival of interest in documentary photography. The cynicism about photography’s ability to expose truths about society, prevalent in the 1980s and 1990s, has waned. In its place is a growing awareness of the power of socially engaged photographic practices.

Inevitably, past examples are looked to as models, and the photography of the depression era of the 1930s is perhaps the most significant.

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