Gareth Jenkins

Themes from the Dawn of Time

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Review of 'Bacchai' by Euripides, National Theatre, London

This astonishing play by the youngest of the three great dramatists of ancient Greece is both very primitive and very modern. The story Euripides took as the basis of his play was a traditional one, well known to its audience. Pentheus, king of Thebes, disguises himself as a woman in order to witness the women-only sacred rites of the followers of the god of wine, Dionysus. Unmasked, he is torn to pieces by his own mother who in her frenzy believes she is killing a wild beast. Yet Euripides handles this traditional story in ways that are modern to his times.

A Very Public Rebellion

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Review of 'If...', director Lindsay Anderson

1968 was the big year of revolt, its epicentre the student-led insurrection in Paris. But the spirit of resistance in the field of culture and the arts had begun earlier. In the late 1950s French New Wave cinema had rejected the well made studio film and taken to the streets to celebrate freedom. The spin-off here was the emergence of a number of film directors such as Lindsay Anderson. He made 'If...' in 1968, the very year in which the spirit of revolt became a material force.

Labour and the Unions: Byers and Sellers

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Judith Orr explains why the state of Britain's railways is producing a political crisis for New Labour, while Gareth Jenkins blames years of underinvestment.

It was only 2,000 workers. Hardly enough to shake a majority government off course. Yet within days of the first South West Trains strikes the air of crisis around the government threatened Stephen Byers' position. ScotRail drivers refused to work rest days and stopped one in four trains running. Arriva train drivers returned a 17 to one vote for strike action, and even commuters are planning a passenger strike on 1 March . The media was suddenly full of talk about a return of the 1970s.


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