Mark Brown

The Irishman

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The Irishman, the latest film by the legendary American director Martin Scorsese, has been eagerly anticipated. Now that it has finally hit screens large and small (the movie is a Netflix production, and transferred to the online streaming service shortly after its cinema release), it reveals itself to be a genuine masterpiece.

Marching into the dustbin of history?

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Recent Loyalist riots and disturbances in Glasgow and a subsequent ban on Orange and Republican parades in the city have the shaken the image of Scotland as a modern, inclusive democracy. Mark Brown considers how revolutionary socialists should respond to recent events.

On 30 August of this year an Irish Unity march by the James Connolly Republican Flute Band through the working-class community of Govan in the south-west of Glasgow descended into chaos as it was attacked by hundreds of Loyalist thugs. Smoke bombs and other missiles were thrown at the Republican marchers in what can only be described as a Loyalist riot.

Scottish theatre’s modern renaissance

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Mark Brown, author of Modernism and Scottish Theatre Since 1969, gives the run down on how Scotland’s particular kind of Reformation stunted the development of dramatic writing for centuries, not really recovering until the early 1900s.

To talk about Scottish theatre in the late 20th and early 21st centuries we must, paradoxically, start in the 16th century. For it was then, amid the ferocious indignation and granite moral certainties of the Calvinist Reformation, that a new course was set for Scottish society and culture.

In the case of theatre, it meant no course at all. For the virulent Protestant reformer John Knox and his fellow Calvinists, the theatre was a cesspit of godless recreation. Consequently, as the roofs were ripped from the Catholic abbeys, the theatres, too, were closed down.

In defence of degenerate art

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The so called “alt-right” project is an attempt to throw an ideological blanket over a range of deeply reactionary political tendencies. These range from racist right wing “mainstream” conservatives (such as Boris Johnson and Jacob Rees-Mogg in Britain), to far-right populists (like US president Donald Trump and Hungarian prime minister Viktor Orbán) and outright fascists (such as Marine Le Pen in France and Austrian vice-chancellor Heinz-Christian Strache).

Political theatre returns

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La Maladie de la Mort (The Malady of Death), based upon Marguerite Duras’s 1982 novella (which was, famously, written in the depths of the author’s alcoholism), was one of the highlights of last month’s Edinburgh International Festival. Staged for the leading French company Théâtre des Bouffes du Nord by acclaimed English director Katie Mitchell, it is an atmospheric and discomfiting hour of theatre.

In the Fade

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Set in contemporary Germany and Greece, In the Fade, the latest film from Hamburg-born filmmaker Fatih Akin, is a chilling exploration of European neo-Nazism as seen through one woman’s insufferable bereavement.

Katja Sekerci (Diane Kruger), who is white and German, marries her Kurdish-German husband Nuri (Numan Acar) while he is in prison for drug dealing. Following his release, Nuri becomes a model of rehabilitation, setting up his own small business in Hamburg providing translation and travel services to the Turkish and Kurdish communities.

Mark E Smith: proletarian individualist

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Mark Brown appreciates the contribution of The Fall’s irascible lead singer, who died in January.

Mark E Smith, enigmatic, unruly founder, frontman and driving force of the influential rock group The Fall died, aged 60, in late January. He was an often inspired, regularly drunk, sometimes awkward and, more often than not, brilliant musical artist.

An open letter to Nick Cave

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Acclaimed rock band Nick Cave and the Bad Seeds played two shows in Tel Aviv in November in contravention of the international cultural boycott of Israel. Arts journalist and BDS activist Mark Brown has written the following open letter to Cave.

Dear Nick,
“Some people say it’s just rock and roll. Oh, but it gets you right down to your soul.” This lyric from your song “Push the Sky Away” could function as a shorthand expression of the relationship I have had with your work for much of my adult life.

As a theatre critic and arts journalist, I spend much of my professional life trying to find art works that transcend the banalities of everyday life and touch something profound in the human experience. Rarely am I as affected by the work I review as I am by your music.

Victory for Israel boycott campaign in Edinburgh

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The biggest news story of the 2014 Edinburgh Festival Fringe was the successful boycott of two state-funded Israeli productions.

All performances of The City, by Incubator Theatre of Jerusalem, and La Karina, by Pola Dance (the official dance company of the Ben-Gurion University of the Negev), were cancelled following a pro-boycott open letter and a protest outside the opening performance of Incubator’s show.

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