Eat your heart out George Smiley, here comes Eve Polastri, earthily played by clever Sandra Oh.
Connecticut-raised and London based, Eve’s on the staff of MI5 with a routine job in security, but her background in criminal psychology drives her to look more deeply than her boss likes into a string of professional assassinations across Europe — and begin to draw some connections.
Lauren Greenfield is an American photographer and filmmaker who documents culture on a global scale. Her previous films include The Queen of Versailles, about a billionaire’s scheme to create a vast mansion in Florida styled after the French palace; and Thin — following four young women being treated in a specialist eating disorders centre, again in Florida.
Cathy Come Home, the 1966 BBC TV play directed by Ken Loach, exposed how unemployment, poverty and overcrowded and inadequate housing were condemning thousands of families to homelessness — and dividing parents from their children. The play provoked a public outcry, the setting up of homelessness charity Crisis, and eventually the Housing (Homeless Persons) Act of 1977.
Bombshell tells the extraordinary story of the film actor and scientist Hedy Lamarr, Hollywood’s “most beautiful woman in the world”, who starred in films from the late 1930s to the 1950s opposite icons such as Clark Gable and Spencer Tracy.
Journalists have tended to focus on digging out details of her early nude appearance in an erotic arthouse film, her turbulent journey through six marriages, her plastic surgery, drug addiction and reclusive later years.
Hillary Clinton never thought her wealth, political elitism, corruption, contempt for working class people, opposition to public health care, Wall Street connections and military backing for jihadists in Libya and Syria — triggering the worst refugee crisis in living memory — would get in the way of her inexorable journey to the White House.
Endorsed by Obama, she assumed she could sweep aside socialist nomination contender Bernie Sanders. She was confident because she thought that the truth about her operations would never get out.
Fans of Peter Ackroyd’s visceral histories will welcome this enthralling and compassionate exposé of LGBT+ life across 15 centuries in the UK capital. The book starts with the open homoeroticism of the ancient Romans, mining original sources previously expurgated of their “queer” content by nervous commentators.
Tate Britain’s first ever LGBT+-related exhibition explores connections between art and a diverse range of sexualities and gender identities. It covers the period between the abolition of the death penalty for sodomy in 1861 and the Sexual Offences Act of 1967 which partially decriminalised consensual sex between men over 21 (both legal changes affected England and Wales only). This is a historic exhibition then, inventive, fascinating, surprising and affecting. Nevertheless there are some interesting contradictions at play.
The lived, proud experience of transgenderedness is taking its rightful place in contemporary literary writing — and this tender yet hard-boiled memoir is a searing exploration of parenting and gender-creation.
This page-turning, vodka-sodden, tragi-comic crime thriller about political corruption and moral predicaments is a brilliant holiday read.
It’s set in the future: Russia has been taken over by a new generation of despotic oligarchs, dissent is suppressed and former Russian president Vladimir P, now in an advanced stage of dementia, has been hived off to his luxury dacha near Moscow.
Nicola Field is working with independent LGBT+ publisher Dog Horn Publishing to bring out a new edition of her 1995 book Over the Rainbow. She talks to SR about why the book is needed now more than ever.
What is Over the Rainbow: Money Class and Homophobia about?
