Sally Campbell

Could a spectre be haunting Europe once again? As we go to press millions of public sector workers in France — including teachers, civil servants, air traffic controllers, hospital workers and rail workers — are striking and marching together in protest at President Emmanuel Macron’s proposed “reforms” (read: pay freezes, job cuts and wholesale attacks on conditions).

This one-day action is set to be followed by three months of strikes by rail workers, who plan to strike for two days out of every five from 3 April to 28 June.

As the words “A Fantastic Woman” appear on the screen we are looking, somewhat jarringly, at a man’s body. For several minutes we follow middle aged Orlando as he goes about his business in Santiago, getting a massage, heading back to work, then out to meet his lover, Marina, who he is taking out for her birthday. Their relationship is easy and comfortable, but also passionate.

The #MeToo movement, which took off in reaction to the Harvey Weinstein sexual assault revelations, has continued to reshape discussions around women’s equality.

Some very clear battle lines have already been drawn for 2018.

As Charlie Kimber shows, Theresa May is hapless and trapped in No 10. The battle over what kind of Brexit we get must go beyond the confines of Tory divisions and be taken into the workplaces and communities.

Just before I went into the screening of Alexander Payne’s new film, Downsizing, I was reading George Monbiot’s article in the Guardian, “Is this the end of civilisation? We could take a different path”.

That could be the subtitle to this odd and amusing film from the director of Nebraska and The Descendants.

Matt Damon plays Paul Safranek, an everyman who cares for his mum, then his wife, all while working as an occupational therapist in a meat factory.

The spectre of Karl Marx has never disappeared — a fact that will be reinforced when his bicentenary is celebrated this year on 5 May. A production at the National Theatre recently portrayed him as a lovable rogue. And a forthcoming film by Raoul Peck shows the young Marx, and his great friend Friedrich Engels, embedded in the revolutionary movements of the 1840s.

Since October headlines have been dominated by revelations of sexual harassment and assault, first against Hollywood producer Harvey Weinstein and then spreading to other producers, directors and stars.

The scandal then engulfed the UK parliament, where Tory minister Michael Fallon was forced to resign over sexual misconduct — and claimed his behaviour was “acceptable ten or 15 years ago”. Some 28 other Tory MPs and several Labour figures are being investigated over similar issues.

Steven Murphy (Colin Farrell), a renowned heart surgeon, lives with his wife, Anna (Nicole Kidman), and their teenage daughter and young son, Kim and Bob. They are wealthy, polite and apparently very successful.

In the early hours of Tuesday 22 August Kiwi Herring, a 30 year old trans woman and mother of three, was shot dead by police in St Louis, US. Police had been called after Kiwi had allegedly stabbed her neighbour. After an altercation during which one police officer received a “minor injury”, the police opened fire.

This wild, emotional, funny and upsetting film is a powerful attack on capitalism through the prism of the food industry.