Sarah Ensor

This short and enjoyable read examines popular science claims that men and women speak and think in different ways due to their biological makeup. The title comes from the most famous, and possibly crudest, modern exponent of these ideas, John Gray, who 15 years ago wrote Men are from Mars, Women are from Venus.

In 1970s middle class Paris Anna, the nine year old daughter of a journalist and a lawyer, is serenely confident in her small world. From her parents' large apartment to holidaying at her grandparents' Bordeaux estate through her catholic school she is absolutely sure of how to behave in every situation.

She is neat, conscientious and is perfectly happy to force other children around her to follow suit.

Centuries from now television audiences will not look back at Aids as we do at the Black Death of the 14th century. We've seen the dramatisations of scabrous, sacking-clad peasants collapsed in smoky huts, utterly helpless before an apocalyptic disease and a middle aged historian in a leather jacket. He cheerfully explains that the death of one third of the population of Europe loosened the bonds of feudalism and created a space for a new economic form, capitalism, to emerge. The plague of HIV/Aids that is ravaging Africa is not a development opportunity.

Pride and Prejudice is the story of Mrs Bennet's mission to get her five daughters married. Their 'estate', a large house and a farm, will go to a male cousin when Mr Bennet dies. It is therefore a business that Mrs Bennet takes seriously.

The world has never been so literate. Never before have so many people been able to read. Even those considered to be functionally illiterate in Britain will recognise dozens of words associated with brands and services when they go shopping or travel to work. Millions of people buy hobby or sports magazines, fiction, politics and history for their own pleasure and information. If you don't go out looking for it, it'll come through the letterbox - free newspapers, party political leaflets and if you're lucky even your postal vote.

In the programme of this wonderfully vivacious production Bonnie Greer writes that 'Lorraine Hansberry was a middle class girl who understood the hopes and dreams of the black working class, because, in the end, she understood that we are one people.' What rubbish! This play jumps with the angry politics of class as well as race. Hansberry also wrote her characters with such confidence that the audience rolls between the comedy and impending disaster. We really do care how this is going to turn out.

There are library shelves groaning with all the thousands of books about US imperialism. In War is a Racket (Turnaround £6.99) Smedley Butler of the Marines describes himself as a gangster for capitalism. This book was written in 1935, and since then many Americans have raged at the barbarity of their government's behaviour abroad. Al Capone only worked in three districts - Butler and his Marines operated on three continents, crushing democratically elected governments.

American women workers can claim a lot of the credit for the first International Women's Day in 1911. On Sunday 8 March 1908, hundreds of women demonstrated in New York. They wanted the vote and a fighting needle trades union. Clara Zetkin, the German revolutionary, argued that this should be the date of a day dedicated to fighting for equal rights for all women-everywhere. Almost a century later there is a real shortage of new left wing books about women.

Literature does not remake the world, but it can change the way we see it. The most 'political' novels are those that give us new ways to think about the conditions that we want to change, and of all the American novels from the first four decades of the 20th century, two famously span the extremes of experience of capitalism. The Great Gatsby by F Scott Fitzgerald (Wordsworth £1.50) describes the 'Jazz Age' among the very rich of Long Island. These pointless people are so bored that wrecking each other's lives and those around them does at least pass the day.

A young golden couple live the good life in central Stockholm. Maria, an actor, is beginning to be offered lead classical roles in the national theatre. Her husband Christoffer is a successful restaurateur and they have just found, between Maria's performances, the perfect spot for a new restaurant. They are a partnership and love each other very much. Then Christoffer's father turns up unexpectedly at their flat and sets off a chain of events that leads both of them to do the exact opposite of what they wanted and planned.