Sue Caldwell

In May the Court for Arbitration in Sports (CAS) ruled that the South African Olympic gold medallist Caster Semenya has an “unfair advantage” when running the 800 metres because of the high level of her naturally occurring testosterone. By their own account the CAS admitted that the ruling is “discriminatory”, but “necessary”. The International Association of Athletics Federations (IAAF) welcomed the ruling as a “reasonable and proportionate means of preserving the integrity of female athletes”.

Outrageous imposition

How is women’s oppression connected to capitalism? Is Marxism too focused on economics at the expense of wider struggles? These questions have been at the heart of debates around Marxism and feminism since the 1970s.

New activists are discussing them in the wake of the women’s marches against Donald Trump, the #MeToo campaign and the fantastic vote for abortion rights in Ireland.

It is unusual for this magazine to promote the cause of high fashion, but there may be a welcome overlap with that world this year. According to Vogue the muse of Christian Dior’s pre-fall collection is Claude Cahun, an artist whose life and work deserve much greater recognition. Not that Cahun would have been impressed by mentions in glossy magazines.

There is a surge of interest in the politics of gender and sexuality among a new generation of activists. Sympathetic characters that challenge gender stereotypes are emerging in popular culture. The passing of equal marriage legislation signifies a more progressive approach towards homo- and bi-sexuality, yet many LGBT+ teenagers continue to fear being outed at school. Pride parades here and in the US pull huge crowds, but are dominated by commercial outfits.