Art / Exhibitions

Soul of a Nation: Art in the Age of Black Power

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This is a celebration of the work of Black American artists in the 1960s and 1970s. While the art on display is inspired by the mass Civil Rights Movement in the US during that time it is incredibly poignant that the issues raised remain so relevant today.

Norman Lewis’s America the Beautiful, for example, is an almost abstract painting depicting the KKK and burning crosses that could be a representation of Donald Trump’s America.

The Life and Work of Marx and Engels

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The Working Class Movement Library, in the heart of Salford, hosts a large collection of socialist literature and materials. Their latest exhibition focuses on the lives of Karl Marx and Friedrich Engels. There is a particular spotlight on the lives of the working class of Manchester and Salford in 1842.

Among the many photographs and examples of their writing on display, the library gives detailed accounts both of the works and personal lives of the pair.

Portraying a Nation: Germany 1919-1933

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Germany after the First World War was a society in deep crisis. The war ended with the overthrow of the Kaiser and with Germany on the brink of socialist revolution. The Weimar Republic (1919-1933) was racked by war debts, hyperinflation, economic crises, mass unemployment, dramatic political conflict and the growth of both the revolutionary left and fascism.

Queer British Art 1861-1967

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Tate Britain’s first ever LGBT+-related exhibition explores connections between art and a diverse range of sexualities and gender identities. It covers the period between the abolition of the death penalty for sodomy in 1861 and the Sexual Offences Act of 1967 which partially decriminalised consensual sex between men over 21 (both legal changes affected England and Wales only). This is a historic exhibition then, inventive, fascinating, surprising and affecting. Nevertheless there are some interesting contradictions at play.

Never Going Underground

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There is a delicious irony here in that the infamous Section 28 of 1988’s Local Government Act specifically prohibited “the teaching in any maintained school of the acceptability of homosexuality as a pretended family relationship” and this exhibition, named after the campaign to repeal the act, is overwhelmingly family friendly.

The exhibition marks 50 years since the passing of another piece of legislation — the partial decriminalisation of homosexuality in England and Wales in 1967.

Child's Play

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Child’s Play is a photographic exhibition featuring photos by Mark Neville that focus on the nature of children’s play.

The exhibition has a very clear message that children should have more unstructured space in which to play freely. There are some very attention-grabbing photos taken in an adventure playground in Tottenham where children are able to explore and play.

Degas to Picasso: Creating Modernism in France

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This exhibition looks at key moments in the development of art from the French Revolution to the Second World War.

The main subject matter of European art from the 15th century onwards had been the ruling classes and their possessions. Realism had been the dominant artistic form. However, the successive political upheavals of the 19th century encouraged the spirit of rebellion in the arts.

Revolution: Russian Art 1917-1932

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An exhibition marking the centenary of the Russian Revolution and its art should be a celebration of one of the most innovative periods in the history of the visual arts and humanity. Instead the Royal Academy has produced a stolid exhibition without any sense of what the revolution overthrew. Also it is supported by modern Russian art collections, which bolster the narrative of communism as dictatorship.

Trotsky said of 1917, “The revolution is, in the first place, an awakening of human personality in the masses — who were supposed to possess no personality…”

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