Art / Exhibitions

The Best Brand Around

Issue section: 
Issue: 
Author: 

Review of Artists Against the War

Artists Against The War (AATW), is a loose collective of artists, producers, theatre, film and video makers who first met in October 2001 as a direct response to the bombing of Afghanistan. Our aim was to create artful protest against the inhumanity of war and international acts of state-controlled terror.

Top of the Pops?

Issue section: 
Issue: 
Author: 

John Molyneux reviews the new Andy Warhol exhibition at Tate Modern.

In 1963 the Pop Artist Roy Lichtenstein painted 'Whaam!' It was a huge blow-up of a comic book image depicting a US fighter jet destroying an enemy plane at the press of a button. Nearly 30 years later, in the run-up to the Gulf War, 'Socialist Review' put this picture on the front cover with the caption 'Stop Bush's Mad War'. Similarly, in 1962 Andy Warhol produced his 'Marilyn Diptych', with its rows of yellow-haired Marilyns, and 36 years later the 'International Socialism Journal' referenced Warhol on its cover with rows of yellow-haired Karl Marxes.

When the Rhythm is Right

Issue section: 
Issue: 
Author: 

Review of exhibition 'Paul Klee: The Nature of Creation' at the Hayward Gallery, London

It is a joy to step in from a grey London to the warm North African colours and playful lines of Swiss artist Paul Klee. Klee (1879-1940) spent most of his adult life in Germany, where his career culminated in 1921 when he became master of arts at the famous Bauhaus school. From the beginning, the Bauhaus was an institution based on radical views of art and its role in society. Klee left shortly before the Nazis closed it down.

All Power to the Imagination

Issue section: 
Author: 

Review of exhibition 'Paris, Capital of the Arts 1900-1968' at the Royal Academy of Arts, London

Art in the 20th century is too often made to seem obscure and difficult, but this exhibition is about as accessible and exciting as it gets. Partly that's because it is linked to the development of a great city, so there's an inbuilt stress on history in the exhibition. But it also seems that the art industry has sensed growing interest in radical, even anti-capitalist, ideas. Paris is presented as a centre of subversion as well as culture.

Whiteread's Engaging Spaces

Issue section: 
Issue: 
Author: 

Review of Rachel Whiteread Exhibition

I met a friend outside the Rachel Whiteread exhibition at Edinburgh's Gallery of Modern Art who said he had come out with a feeling of disappointment. In a strange way, it struck me that perhaps that was quite an appropriate response. After all, Whiteread's extraordinary sculptures are all about absence and departure. So it's logical to feel a sort of nostalgia when you look at her work

The Transformation Problem

Issue section: 
Issue: 
Author: 

Review of Tracy Emin's exhibition 'Telling Tales' at the Tate Gallery, Liverpool

If you like to laugh with your art rather than at it, take a trip to the newly opened Telling Tales exhibition at Liverpool's Tate Gallery. It's worth it for the two Tracey Emin exhibits alone. Until this, I'd heard of her brilliance, her anger and her controversy. But I had no idea just how truly funny she is.

Pages

Subscribe to RSS - Art / Exhibitions