Art / Exhibitions

All Power to the Imagination

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Review of exhibition 'Paris, Capital of the Arts 1900-1968' at the Royal Academy of Arts, London

Art in the 20th century is too often made to seem obscure and difficult, but this exhibition is about as accessible and exciting as it gets. Partly that's because it is linked to the development of a great city, so there's an inbuilt stress on history in the exhibition. But it also seems that the art industry has sensed growing interest in radical, even anti-capitalist, ideas. Paris is presented as a centre of subversion as well as culture.

Whiteread's Engaging Spaces

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Review of Rachel Whiteread Exhibition

I met a friend outside the Rachel Whiteread exhibition at Edinburgh's Gallery of Modern Art who said he had come out with a feeling of disappointment. In a strange way, it struck me that perhaps that was quite an appropriate response. After all, Whiteread's extraordinary sculptures are all about absence and departure. So it's logical to feel a sort of nostalgia when you look at her work

The Transformation Problem

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Review of Tracy Emin's exhibition 'Telling Tales' at the Tate Gallery, Liverpool

If you like to laugh with your art rather than at it, take a trip to the newly opened Telling Tales exhibition at Liverpool's Tate Gallery. It's worth it for the two Tracey Emin exhibits alone. Until this, I'd heard of her brilliance, her anger and her controversy. But I had no idea just how truly funny she is.

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