Art / Exhibitions

Presented in the indoor galleries and open air of the Yorkshire Sculpture Park, Shonibare's work here follows pieces on Trafalgar Square's fourth plinth and at the Royal Opera House in Covent Garden. His work, at once vibrant and varied, fits well into these differing spaces.

As well as producing beautiful and dramatic pieces, Shonibare references themes from environmental destruction to the Arab Spring. Stand out works include the playful collage Climate Shit and intricate sculpture Alien Man on Flying Machine.

The new "David Bowie Is" exhibition at the V&A Museum is a fascinating insight into one of one of the most contradictory figures in popular culture over the last 50 years.

For some on the left, the start and end point of David Bowie's story is his mid-1970s flirtation with far-right iconography and symbolism: his cocaine-addled statements about believing "strongly in fascism" or calling Hitler "one of the first rock stars". But Bowie's story - from Ziggy Stardust to elder statesman of eclectic pop - is one that parallels many social changes in post-war Britain.

As technology grows more sophisticated everyday, gadgets and pieces of equipment can seem to take on a life of their own: smart phones organise our lives for us, fridges give us advice on what to eat for dinner and websites remember our internet browsing history.

At the Barbican, London, until 9 June

Producing works like Bicycle Wheel and Fountain (which was a signed urinal) he blurred the boundaries between art and life, embracing humour and experimenting with apparently random methods for producing art.

The Barbican in east London is currently running a major celebration of Duchamps's work, along with theatre, dance, music, film and lectures that encapsulates the various modernist trends upon which Duchamp had such an effect.

In 1930 Kurt Schwitters, one of the greatest revolutionary and innovative artists of the 20th century, observed that "everything was broken down into shards and needed to be put back together again". This was to prove something of an understatement.

Born in 1887, and having lived through the carnage of the First World War, the "lost" German Revolution and the traumas of the Weimar state, Schwitters lived to witness the barbarity of fascism. He endured exile, internment, poverty and the horrors of "total war" before dying in virtual obscurity in 1948.

Isn't there something insufferably old hat about crime fiction, with its village greens and grizzled old detectives wearing fedoras? Apparently in answer to this, Murder in the Library, a small exhibition at the British Library, takes a look at this much maligned genre.

The problem is: how do you faithfully represent a genre that accounts for a third of books published today, with protagonists that range from 7th century Irish nuns to a 21st century boy with Asperger's Syndrome, and whose authors range from Jorge Luis Borges to Terry Venebles?

Above is a picture of street artist Banksy's "Stop and Search", a mural in Bethlehem, Palestine. Except that it is no longer in Palestine - it's been removed to be exhibited and sold on at a gallery in the Hamptons, an upmarket area near New York in the US. The current asking price is $450,000.

It is not the only work by Banksy that has been stolen from Palestine.

Among them was his house at Lincoln's Inn Fields, where he not only lived and worked, but assembled an incredible collection of antiquities.
The house and its collection were bequeathed to the public in 1833 as Sir John Soane's Museum. On the first Tuesday evening of every month the curators illuminate the collection by candlelight.

This exhibition of more than 30 of Barbara Hepworth's Hospital Drawings is the first time that so many of these powerful pieces have been shown together. She drew them between 1947 and 1949, during the birth of the NHS, having been allowed into several operating theatres as an observer.

Syrian revolutionaries are using every weapon at their disposal to resist the regime of Bashar al-Assad - including cartoons. In the comic strip reproduced above, Bashar al-Assad tickles the sleeping dragon of sectarianism, only for it to swallow him whole. In this case, a picture paints a complex political situation.

As the regime has heavily censored the press for years, Syrian artists have a long tradition of using metaphorical imagery to convey dissent. Now, as the armed struggle intensifies, that creative artistry has been unleashed.