Culture

Age of Terror: Art since 9/11

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This exhibition of artists’ responses to conflict since the terrorist attacks in the US on 11 September 2001 ranges from sculpture to video installations.

It includes well known pieces such as Ai Weiwei’s marble surveillance camera on a plinth, Ivan Navarro’s “inverted columns” effect created with mirrors, as well as the vase Grayson Perry was working on as the terror attacks happened, which he proceeded to embellish with possible figures and comments possibly made by those caught up in the bombing of the twin towers of the World Trade Center.

Beast

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Film thrillers have stiff competition these days. When you can watch really great box sets with ten or 15 episodes on All 4 or Netflix, trying to cram a convincing story into an hour and a half is a tough commission.

It’s a bit like that advert on TV where a couple meet, get married, split up and divvy up their CD collection in 30 seconds flat. Not too much scope for nuance.

That said, Beast has much to recommend it. The central character Moll, played by Jessie Buckley, is completely engaging and you want to find out more about her.

Another Kind of Life

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Another Kind of Life is a large and ambitious exhibition. There are works by 20 photographers, covering a period from the 1960s to the present.

The people depicted cover a huge range of very different experiences, from the desperate homeless to neo-Nazis in the American wilderness, and many trans people across different societies surviving in the teeth of oppression.

Mark E Smith: proletarian individualist

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Mark Brown appreciates the contribution of The Fall’s irascible lead singer, who died in January.

Mark E Smith, enigmatic, unruly founder, frontman and driving force of the influential rock group The Fall died, aged 60, in late January. He was an often inspired, regularly drunk, sometimes awkward and, more often than not, brilliant musical artist.

Windrush: Movement of the People

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Racist Tory politician Enoch Powell is well and truly nailed for his “politics of the gutter” in this triumphant celebration of Caribbean migration.

It comes as we hear words from Powell’s vile “rivers of blood” speech made in 1968 which whipped up hatred up over immigration, predicting that black people will gain the “whiphand”. Ten years before Powell was the minister who had initiated such migration to solve Britain’s post-Second World War labour shortage.

Jean-Luc Godard + Jean Pierre Gorin: Five Films, 1968-1971

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In this age of multimedia saturation, the history of revolutionary cinema still has many secrets left to be unearthed. Among them are the series of films made by Jean-Luc Godard and Jean Pierre Gorin under the collective name Dziga-Vertov Group.

Greatly influenced by Maoist politics in the immediate aftermath of the May 1968 uprisings, Godard, Gorin and company sought not just to make “political films” but to make films politically.

And this collection of radical cinema spectacles still makes for startling and confrontational viewing half a century on.

A Fantastic Woman

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As the words “A Fantastic Woman” appear on the screen we are looking, somewhat jarringly, at a man’s body. For several minutes we follow middle aged Orlando as he goes about his business in Santiago, getting a massage, heading back to work, then out to meet his lover, Marina, who he is taking out for her birthday. Their relationship is easy and comfortable, but also passionate.

Bombshell: The Hedy Lamarr Story

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Bombshell tells the extraordinary story of the film actor and scientist Hedy Lamarr, Hollywood’s “most beautiful woman in the world”, who starred in films from the late 1930s to the 1950s opposite icons such as Clark Gable and Spencer Tracy.

Journalists have tended to focus on digging out details of her early nude appearance in an erotic arthouse film, her turbulent journey through six marriages, her plastic surgery, drug addiction and reclusive later years.

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