Culture

Punk: 1976-1978

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“We are anti-racist and anti-fascist” claimed the Clash in their first interview with the then important music paper the NME. They explained that they had been at the riot at the Notting Hill Carnival that year (1976) and thought that “young white kids” needed to develop a culture of their own in order to fight back as black people were doing.

Every Cook Can Govern

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This is an important documentary on the inspirational life of the Marxist revolutionary, CLR James, structured around his books and illuminating some of his more overlooked work. The film is narrated through interview material with different writers and people who knew James, providing a detailed account of his intellectual contribution.

Our Kind of Traitor

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The secret world of tax evasion and dirty financial dealing revealed by the Panama papers is the setting for this adaptation of John Le Carre’s 2010 novel.

Specifically, Our Kind of Traitor delves into the realm of Russian mafia and oligarchs and their connections to British financial institutions — and politicians.

Conceptual Art in Britain, 1964-1979

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The assistant curator told me to pick up an orange. So I did. Because this is conceptual art. The orange was part of a sculpture intended to make us think about art as something to be consumed — if not it will decay, be good for nothing. Art depends on active participation, in this case the consumption of an orange, the conversion of matter into energy.

How is that art? It is not an art object as we knew it — the idea is now the thing. This is art as a question: firstly questioning the very nature of art and secondly art as a valid medium for questioning its context.

Strange and Familiar

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Britain as Revealed by International Photographers, curated by renowned photographer Martin Parr, is a fascinating investigation into the social, political and cultural lives of working class people in Britain from the 1930s to the present.

Some 250 photographs are on display taken by 23 different photographers. What links them is that none are British. These photographers came to Britain to capture the lives of the “ordinary”. As outsiders they brought a new and fresh perspective on the everyday life of working people.

The Complete Alan Clarke at the BBC

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The films of writer/director Alan Clarke are some of the most forceful, passionate and challenging in the history of British cinema and television.

Most of his acclaimed work has been unavailable to the public ever since his untimely death in 1990. Thankfully, the British Film Institute has released a definitive reissue of 23 BBC television dramas spanning Clarke’s remarkable 30-year career.

Love and Friendship

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Love and Friendship is based on an unfinished novella by Jane Austen. Called Lady Susan, it is written as a series of letters and is thought to be one of her earlier works, although only posthumously published.

The film, adapted by Whit Stillman (Metropolitan, The Last Days of Disco), is a beautifully shot period piece that you wish was longer than its 90-some minutes.

Lady Susan, played by Kate Beckinsale, is recently widowed, short on funds and increasingly frowned upon for her affair with a married man.

Son of Saul

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Son of Saul

It is a truism for revolutionaries that people make their own history but not in circumstances of their own choosing. But what of the men, women and children who have history thrust upon them, with cataclysmic consequences for their own personal circumstances?

Son of Saul tells the story of a man’s struggle to hold on to family and personal relationships and obligations in the hideous organised chaos of the Nazi gas chambers.

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