Otto Quangel is the foreman in a coffin factory. A mechanic, he is a small cog in the apparatus of death that was the Third Reich. Quangel and his wife Anna get notification of the loss of their son at the front. Their feelings of disengagement with the regime harden into opposition. They embark on a low-level campaign of resistance, writing postcards with anti-Nazi messages and leaving them secretly in the stairwells of Berlin businesses and apartments.
The Working Class Movement Library, in the heart of Salford, hosts a large collection of socialist literature and materials. Their latest exhibition focuses on the lives of Karl Marx and Friedrich Engels. There is a particular spotlight on the lives of the working class of Manchester and Salford in 1842.
Among the many photographs and examples of their writing on display, the library gives detailed accounts both of the works and personal lives of the pair.
Germany after the First World War was a society in deep crisis. The war ended with the overthrow of the Kaiser and with Germany on the brink of socialist revolution. The Weimar Republic (1919-1933) was racked by war debts, hyperinflation, economic crises, mass unemployment, dramatic political conflict and the growth of both the revolutionary left and fascism.
Out now on DVD
The six-part TV drama broadcast on Sky Atlantic in April receives a welcome DVD release. This flawed but fascinating drama centres on racial politics in Britain in the 1970s and follows the relationship of activists Marcus and Jas (Babou Ceesay and Freida Pinto). It looks at racist policing, the impact of immigration laws, and the angry responses of the communities they targetted.
The Underside of Power is four-piece Atlanta based band Algiers’ follow up to their powerful self-titled post-punk meets Southern gospel debut album.
The band take their name from the city at the heart of the Algerian revolutionary war that fought and won independence from France in the 1960s. And they are back with a whole new level of fiery energy and an even more defiant political message.
If you’ve read Margaret Atwood’s novel, The Handmaid’s Tale, published in 1985, you likely will have called it to mind frequently in recent years — and perhaps especially since last November. The book depicts a fascist US society that responds to ecological destruction with oppression, using the language of Christianity to hide and justify the real structures of power.
This film is made up of the testimonies of 12 survivors. Each one is told in their old age, sometimes alongside pictures of them in their youths. For example, Roman Ferber recognises himself in footage of Auschwitz, a small boy in striped uniform looking through barbed wire. Others manage to recover photographs of their families.
These photos both haunt and, in a sense, orient them in their post-war lives. This is a film about the Holocaust, and about survival — how to live with such memories.
Loaded with symbolism, beautiful visuals and poetic dialogue, Daughters of the Dust is captivating in parts and politically charged.
It was originally released 25 years ago, but its influence on Beyoncé’s celebrated Lemonade video last year has led to renewed interest and a reissue.