Culture

The Art of Persuasion at the National Army Museum is a fascinating exhibition of Second World War posters produced by the incredibly prolific and inventive artist Abram Games (although artist is not a term he liked to use about himself. He preferred the term “graphic thinker”). It’s also an insight into how the Second World War was seen by very many of its ordinary participants, military and civilian.

Laid-back, sensitive and dreamy — nothing less could be expected from Croydon rapper Loyle Carner’s second album. Although perhaps not packing as much of a punch instrumentally as his debut released two years ago, the album has some impressive features. Jorja Smith, Sampha and Tom Misch all make appearances, as well as an excerpt from south London rap giant Giggs.

But by far the most impressive aspect of Carner’s art is his beautifully poetic lyricism, effortless flow and intimate, honest portrayals of his emotional world. In this, Carner has not yet failed to deliver.

The Flood opens with these words: “Currently some 70 million individuals have been forcibly displaced by persecution, conflict, and violence around the world… Over 18,000 have died while trying to reach Europe in the last five years alone.”

Based on interviews with migrants and ex-Home Office officials, this dignified and dramatic film describes the horrors and risks endured by people seeking refuge in Europe, and the chilling, politicised calculations of the UK border agency.

Molly and Amy are best friends who have spent their high school careers focusing on getting the best possible grades so they can get into the best possible colleges and kickstart their bright futures.

The day before graduation Molly is in a toilet cubicle and overhears some students joking about her nerdy status. She challenges them, boasting that she will be heading off to Yale while they will probably end up in crappy jobs because they’ve spent their time partying.