Review of 'Ten', director Abbas Kiarostami
'Ten' is the latest film by Abbas Kiarostami, one of the many talented Iranian directors making their mark on world cinema. Kiarostami has received critical acclaim for a number of his past films, and is a previous winner of the Palme D'Or at Cannes. I doubt he will repeat the same triumph with Ten, but nevertheless this latest offering is a revealing social insight into modern day Iran.
Review of 'Sweet Sixteen', director Ken Loach
Ken Loach is a master film-maker, so a new release by him is something to look forward to. For over four decades Loach has celebrated the heroism of working class people. His films always draw from ordinary working class lives extraordinarily moving and relevant stories. Sometimes they feature militant collective struggles that shake the system and its apologists. In other films Loach centres on intimate family dramas that reveal the politics of everyday life.
Dystopias on film
With the release of 'Minority Report' there has been renewed interest in what the world will one day be like. Throughout cinema's history film-makers have not only been preoccupied with the future but how we can fight the nightmarish situations we face today. Cinema through the ages has thrown up many dystopic futures but also many heroes, fighters and leaders.
Review of 'Secret Ballot', director Babak Payami
Take a small island in the Persian Gulf. Add a remote army base, made up of just one bunk bed on the beach, one tent housing a single jeep, and two soldiers, and that is the start of the latest Iranian film to hit Britain.
Review of 'Road to Perdition', director Sam Mendes
This mobster movie is Sam Mendes's first film since 'American Beauty'. That film was distinguished by the quietly merciless poise with which Mendes scrutinised American middle class suburbia. By contrast, 'Road to Perdition' is an undistinguished film.
Review of 'Cabaret', director Bob Fosse
'Cabaret' has been re-released for its thirtieth anniversary. It is a terrific musical set in Berlin in 1931. It tells the story of Sally Bowles (Liza Minnelli), the so called international star of the Kit Kat nightclub, and her entanglement with Brian Roberts (Michael York), a Cambridge PhD student.
'Cabaret' is based on Christopher Isherwood's stories about his time in Berlin, when it was the bohemian capital of Europe. The film depicts the sexual liberalism of the Weimar Republic, but also the desperate poverty of the time and the political turmoil of a society in crisis.
Review of 'Beijing Bicycle', director Wang Xiaoshuai
It is always refreshing to see a film from a part of the world whose traditional culture is so different from that of the west. But Chinese tradition is being pressed hard by the lure of modern western values and desires, introduced by the country's rapid economic growth and integration into world markets. This growth necessitated a massive influx from country to town during the last two decades--about 100 million people.
Review of 'Sunshine State', director John Sayles
John Sayles, still best known as the director of 'Matewan', has never made an uninteresting film. 'Sunshine State' is no exception. This is an intensely human story set against the background of Plantation Island on the Florida coast.
Review of 'The Majestic', director Frank Darabont
In the US in the 1950s thousands of actors, film-makers, writers and technicians had their lives and livelihoods destroyed by an anti-Communist witchhunt. In an atmosphere of mutual suspicion, many of those accused of Communist sympathies named their friends in order to avoid being blacklisted themselves. The studios willingly joined the frenzy, passing on the names of longstanding staff who then had to face the inquisition. Hollywood's cooperation with the show trials has been a shame from which it has tried to make amends on many occasions. 'The Majestic' is its latest attempt.