Film

Document of Brutality

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Review of 'Footprints', director Ben Hopkins

'Footprints' is a documentary film about cluster bombs, concentrating on their effect in Afghanistan today and Laos in 1969. That year Laos, a small country bordering Vietnam, had an amazing 19 million cluster bombs dropped on it, more than those dropped on all countries during the Second World War. The characteristic of cluster bombing, besides directly killing people on a vast scale, is that up to 30 percent do not detonate, but settle underground and last for decades.

Two Sides of New York Collide

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Review of 'Changing Lanes', director Roger Michell

In synopsis 'Changing Lanes' could sound crude and sentimental. It's about two New York men living very separate lives which literally collide on the FDR driveway. Gavin Banek (Ben Affleck) is the Young Turk of Stephen Delano's up-market law firm. Handsome, lean, married to the boss's daughter, he has it all. Doyle Gipson (Samuel L Jackson) is a recovering alcoholic, holding down a job tele-selling insurance and desperate to fix a mortgage for his estranged wife and two sons to forestall her move out of his life to Oregon.

Players and Fighters

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Review of 'Laissez-Passer', director Bertrand Tavernier

The French Resistance is a subject that film-makers have returned to time and time again. The vast majority of these films present either romanticised versions, typified by the recent blockbuster 'Charlotte Gray', or glossy sitcom 'Allo, Allo' types. There is no danger of either with Bertrand Tavernier's wonderful new film 'Laissez-Passer' ('Safe Conduct').

Tehran Taxi

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Review of 'Ten', director Abbas Kiarostami

'Ten' is the latest film by Abbas Kiarostami, one of the many talented Iranian directors making their mark on world cinema. Kiarostami has received critical acclaim for a number of his past films, and is a previous winner of the Palme D'Or at Cannes. I doubt he will repeat the same triumph with Ten, but nevertheless this latest offering is a revealing social insight into modern day Iran.

Personal and Political

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Review of 'Sweet Sixteen', director Ken Loach

Ken Loach is a master film-maker, so a new release by him is something to look forward to. For over four decades Loach has celebrated the heroism of working class people. His films always draw from ordinary working class lives extraordinarily moving and relevant stories. Sometimes they feature militant collective struggles that shake the system and its apologists. In other films Loach centres on intimate family dramas that reveal the politics of everyday life.

Future Shock

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Dystopias on film

With the release of 'Minority Report' there has been renewed interest in what the world will one day be like. Throughout cinema's history film-makers have not only been preoccupied with the future but how we can fight the nightmarish situations we face today. Cinema through the ages has thrown up many dystopic futures but also many heroes, fighters and leaders.

Have a Break, Have a Kit Kat

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Review of 'Cabaret', director Bob Fosse

'Cabaret' has been re-released for its thirtieth anniversary. It is a terrific musical set in Berlin in 1931. It tells the story of Sally Bowles (Liza Minnelli), the so called international star of the Kit Kat nightclub, and her entanglement with Brian Roberts (Michael York), a Cambridge PhD student.

'Cabaret' is based on Christopher Isherwood's stories about his time in Berlin, when it was the bohemian capital of Europe. The film depicts the sexual liberalism of the Weimar Republic, but also the desperate poverty of the time and the political turmoil of a society in crisis.

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