Interview: Hell No, We Won't Go

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Carl Webb from the US and George Solomou from Britain explain to Andrew Stone and Simon Assaf why they refuse to go and fight in Iraq.

Socialist Review: Why are you accusing the US army of drafting you?

Carl Webb: I'm refusing to go to war because I do not believe the US is on the right track. I think this war is not about liberating people, it's about oppressing them. It's a war that's being fought for profit.

So what's your history with the army?

Interview: Going from Bad to Worse

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The coming few months are crucial ones for all those opposed to war and imperialism, as Lindsey German explains to Andrew Stone.

What do you think we can expect from the elections in Iraq at the end of the month?

Nothing will fundamentally change as a result of the elections. If they go ahead - and it looks like they will - very large parts of the country will be effectively excluded. Sunnis in particular feel very disaffected and want to boycott. There are many other parties who've also called to delay the elections. And most of the people who want to go ahead are doing so because they feel that this will then put them in a position to tell the Americans to leave.

Interview: The Imperial Blowback

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Robert Fisk explains to Simon Assaf why there can be no peace in the Middle East until Britain and the US get out.

You are currently writing a book - what is it about?

It's called The Great War of Civilisation: The Conquest of the Middle East. It studies the way in which history traps us, and how we are never free to make decisions because we are always caught by history.

Diagnosis: Psychopathic Tendencies

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The Corporation is the latest anti-capitalist blockbuster to hit our screens. Emma Bircham spoke to writer Joel Bakan about the rise of corporate power and his optimism that we can fight it.

You started writing the book and making the film before the big corporate scandals of Enron and WorldCom and even before the Seattle protests in 1999. What made you start this project at that time?

'Sparks of Hope in the Past'

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John Rose, author of a new book on Israel, spoke to Simon Assaf about the roots of Zionism and the Palestinian struggle today.

Your book The Myths of Zionism charges that the ideology behind Israel is based on a whole series of myths, going all the way back to ancient Israel. Can you tell me what those myths are?

In the book each chapter heading is based on a myth. The first two myths are based on ancient Jewish history, the next two myths are based on medieval Jewish history, and the last six myths are based on the modern period starting roughly in the 19th century.

Women on the Front Line: Keeping Torture at Bay

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Victoria Brittain speaks to Matt Foot about the issues behind her new play Guantanamo.

What made you want to write a play about Guantanamo Bay and what does the title, Guantanamo: 'Honour Bound to Defend Freedom', mean?

I simply wanted to do it as soon as the director, Nick Kent, offered it to me. It is such an outrageous situation just in terms of the obvious illegality of the whole thing. Anything that could draw attention to what was happening, I thought, would be a contribution.It's the title that they had written up outside Camp X-Ray in Guantanamo. You know, like in Auschwitz they had 'Work makes men free'.

Interview: Fame and the Famine

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Star of the Sea, a great political novel set at the time of the Irish famine, has been a runaway bestseller. Author Joseph O'Connor spoke to Hazel Croft about its success and why he wrote the book.

Have you been surprised at the success of Star of the Sea? Why do you think it's been so popular?

I've been amazed at its success. I wouldn't have thought a book on such a subject would have been successful on a commercial level. I'd go so far as to say that I thought it would have been a book my career would have to recover from in sales terms. It was a book I wanted to write, but I didn't expect it to do well.

This Charming Man: An Interview with Pete Doherty

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Phil Whaite spoke to Pete Doherty of The Libertines after a Love Music Hate Racism gig that filled the London Astoria.

Why did you feel it was important to do this gig?

There's a point you reach before you're perverted and tainted by all the things that drag you into the music business, like avarice or a lust for fame. The original reason why I started was some feeling of community, equality, wanting to fight for things you believe in. Any kid who's gone to a state school knows what it's all about - bullying, racism. And you've just got to make a stand.

Benjamin Zephaniah: Rage of Empire

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Hassan Mahamdallie speaks to Benjamin Zephaniah about the poet and author's art and politics.

I was struck by the Guardian article about you turning down the OBE in which you wrote, 'I woke up on the morning of 13 November wondering how the government could be overthrown and what could replace it, and then I noticed a letter from the prime minister's office.'


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