The Battle of Algiers is a war film based on the Algerian War of national liberation (1954–62) against French colonial rule.
Directed by Gillo Pontecorvo, a star of the Italian neorealist cinema, in 1966, it is shot using newsreel-style footage mainly with amateur actors. One of the central characters, Ali la Pointe, was spotted in an Algiers market. Many of the French soldiers were played by Europeans who were on holiday in North Africa.
Sathnam’s mum has found him a nice Sikh woman who she assures him looks just like Kylie Minogue. Or maybe he would like the one who allegedly resembles Cheryl Cole. Meanwhile, however, Sathnam is struggling to find the courage to tell his parents that he is planning to break with family tradition and marry a non-Sikh white woman.
Channel 4’s The State is a four-part drama following two British men and two British women who decide to go to Syria and join Islamic State. As you can expect, the subject matter itself is incredibly divisive. The harrowing drama was not an easy watch, but an important one.
The first episode feels like an adventure film as four Britons leave their everyday lives to join Isis. One man hopes to follow in his brother’s footsteps and persuades his best friend to accompany him along the journey.
If you’ve read Margaret Atwood’s novel, The Handmaid’s Tale, published in 1985, you likely will have called it to mind frequently in recent years — and perhaps especially since last November. The book depicts a fascist US society that responds to ecological destruction with oppression, using the language of Christianity to hide and justify the real structures of power.
This is a great film for socialists with an interest in art. Written, produced, directed and narrated by Margy Kinmonth, the film focuses on the artistic avant-garde that flourished in advance of and following the 1917 Russian Revolution.
It moves on to discuss the changes in art subsequent to Stalin’s consolidation of power. The film gives a basic political history of the 1917 Revolution and the events that followed.
The world of 1970s porn is the subject for David Simon’s new HBO series, The Deuce, which premiered on 26 September. Co-written with George Pelecanos, who also worked with Simon on The Wire, this semi-fictional dramatisation looks at the legalisation and rise of the porn industry in New York.
While the first season promises to look at themes such as the drug epidemic, associated violence and its impact on various communities, the pilot episode establishes the conditions of prostitution, women’s oppression and mob rule out of which the porn industry emerged.
As part of the BBC’s Black and British season, running throughout November, historian David Olusoga presents this four-part documentary on the black presence in Britain.
The programme opens with repeated images of the quintessentially green and pleasant British landscape. Olusoga’s aim is to project black presence not onto but into this scene. In a sweep from Roman Britain to the present, he describes how black and British history are intertwined.
Masaki Kobayashi’s epic trilogy, made between 1959 and 1961, is one of the greatest cinematic achievements of all-time, but it has been rarely screened in the UK. This dual disc box set release by Arrow Films enables Western viewers an opportunity to measure the film — all nine hours of it — against its legendary status.
For any politically engaged viewer, the fierce social criticism at the core of the television series Cleverman will be immediately apparent. The series pulls no punches in its attack on the Australian government’s racist policies towards Indigenous people and asylum seekers, while commenting on very real debates among these communities and their allies over how best to resist them.
This remarkable film, set in Amazonian Colombia in the early 20th century, achieves what so many fail to — it transports you not only to another time and place, but to a different mind-set and approach to storytelling.
It is at once dreamlike as the shaman Karamakate leads his western travellers down the river in search of a hallucinogenic plant, but also political and angry in its depiction of colonialism and the social and environmental destruction it brings.
