TV / DVD

"The number two" is overpowered by a phantom president who never appears on screen. The first few episodes show Meyer struggling to accommodate the interests of both Congress environmentalists and oil barons: a task that is, of course, full of spectacular blunders and a shambolic ending. Veep needs to be complimented for depicting the close ties between big business and the political establishment.

However, in this series Iannucci fails to fully explore any wider political context, concentrating mainly on the administration itself.

Boss, a US TV drama that has just premiered in Britain, focuses on the political manoeuverings of the Mayor of Chicago and his opponents. But it smacks more of The Sopranos than the West Wing, with a bit of King Lear thrown in. It is a portrait of the politician as a gangster and of the gangster as tragic hero.

In the process it raises interesting questions about the kind of future capitalism is creating, and the role of collective action in social change.

The plot follows Vancouver cop (or "Protector") Kiera Cameron, who is transported back in time from 2077 to the present when a group of rebels called Liber8 effect a daring escape from their imminent executions. She dedicates herself to preventing them from subverting the future, in the hope that she will discover a way to return to her time.

Axelbank worked at Goldwyn Pictures in New York. In 1917 he spotted a newspaper headline: Revolution in Russia! "I wish I could take motion picture there," he said. "We don't have any of our own from 1775."

The American revolutionary Max Eastman helped him make the film. An early supporter of the Bolsheviks, Eastman had travelled to Russia in the 1920s. He had close political relations with many of the leaders of the Soviet regime and especially with Leon Trotsky.

Today Ken Loach is an internationally feted filmmaker. But he was also once a prophet in his own country. Working with a generation of radicals, he excelled at what became known as the drama-documentary - a TV genre that was socially engaged, aesthetically experimental and politically influential. It made working class people the subject of public service broadcasting. This essential collection has many of the key works which now deserve the widest rescreening for their enduring relevance and artistic courage.

In 1964 Granada TV took the Jesuit maxim "Give me a child until he is seven and I will show you the man" as inspiration for a series which documented the lives of 14 seven year olds every seven years. Now they are 56.

When it was first broadcast, Seven Up! shocked many with its emphasis on class - but that is what made it such compelling viewing. For me, this first programme remains the most powerful - at the time, I had been teaching seven year olds in an east London primary school.

In his will the deceased has left the flat to his "former flatmates". Like my own brother he was dead for two weeks before he was found, so the flat needs some cleaning up. We see a group photo which shows the seven main characters as they were when they first moved in.

Jack wants to run a sort of island of egalitarianism where people do not have exclusive relationships - but he imposes his own rules, such as no one being allowed to sleep with anyone else for more than three nights.

Not long ago video games were seen as being exclusively the refuge of children and of men unable to escape their childhoods. Perhaps little has changed, but the huge profits recorded by the industry over the last decade have proved, if nothing else, that for many video games have become a medium of choice. Moreover, games like Braid and Penumbra have proven that, even when commercial, games can still present challenges that test not only players' reflexes, but the nature of the medium itself and even the society that has produced it.

Watch The Borgias and you will be entertained by a gripping, sumptuous drama telling the story of Rodrigo Borgia, a man who schemed, bribed and poisoned his way to become Pope Alexander VI. This nine-part series follows the rise of the despotic Borgia family as they struggle to maintain their grip on power.

Actor Jeremy Irons is so convincing as Rodrigo that he makes God's envoy on earth appear "human" despite the inhumane methods he uses. Murder, intrigue, treachery and sex make this so much more than a stilted costume drama - although the costumes are stunning.

There are three comedians that I think embody the stand-up scene today: Frankie Boyle, talented but toxic; Michael McIntyre, pleasantly babbling like Boris Johnson's bozo blood brother; and Stewart Lee who is, apparently, the current comedian's comedian.

Stewart Lee's stand-up divides opinion. Not fluffy or feel-good (unless you enjoy his riffs), he does upset people. Fortunately he upsets the right people.