Poetry

Paterson

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Paterson is a wonderfully gentle and gently amusing film. It is almost entirely without plot but that is no complaint. It has a rhythm to it, revolving around the daily routines of the protagonists — Paterson (Adam Driver), a poet and bus driver, Laura (Golshifteh Farahani), his wife, and their dog, Marvin — and it has a lovely, deliberate, serene tone.

Dylan did not go gentle

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Dylan Thomas

The centenary of the birth of the great Welsh poet Dylan Thomas is being marked by a host of events across Wales, including tours, art shows, film screenings, plays, lectures and poetry readings. The highlights include a Dylan Thomas Festival in Swansea between 27 October and 9 November and exhibitions at Swansea Museum and the National Library of Wales in Aberystwyth.

Seamus Heaney (1939-2013)

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Paul O'Brien celebrates the life and poetry of Ireland's rebel poet.

Seamus Heaney was born in County Derry in 1939. He was perhaps the finest lyrical poet of his generation and was awarded the Nobel Prize for Literature in 1995. He grew up in the deeply divided landscape of Northern Ireland where "the lines of sectarian antagonism and affiliation followed the boundaries of the land". He lived through the demise of the ancient rural world into which he was born, and the emergence of a globalised modern Ireland.

From Peterloo to Parkside

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Maxine Peake recently performed Shelley's The Masque of Anarchy to sell-out audiences. She talks to Socialist Review's Pat Carmody about the poem and her new radio play about a 1993 colliery occupation by miners' wives.


What attracted you to The Masque of Anarchy?

I got approached. I bumped into Alex Poots, who runs the Manchester International Festival, and he just said, "I want someone to read The Masque of Anarchy and then we want to do a discussion about protest and the future of protest in this country. Are you interested?"

Blake's Jerusalem

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Jerusalem, the song based on a poem by William Blake, is now the unofficial national anthem.

For Danny Boyle, on the left, Jerusalem created the opportunity to include industrial workers in the Olympic opening ceremony. For David Cameron, on the right, Jerusalem is an expression of distinctively English nationhood. For many ordinary people Jerusalem offers a welcome alternative to the depressing, jingoist dirge of God Save the Queen.

Jerusalem is open to many interpretations. William Blake was a complex character and his works can be difficult to read - but one thing Blake was not was a nationalist of any kind. He was a revolutionary.

Adrian Mitchell - 1932-2008

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There is always opposition to the dominant culture - sometimes hidden, sometimes out in the open: a radical cultural tradition that accompanies our struggles for a different society, to give shape and meaning to our desire for another way of hearing, of seeing, of feeling. I got this from many people as I was growing up, and the poet Adrian Mitchell was one of those people.

Everything stopped for a moment when I heard of his death on 21 December. In that instant I remembered all those times he stood before me, the poetry of love and life and anger and outrage filling whatever space he had come to perform in. I stood with him in the middle of Piccadilly on 15 February 2003 - speechless, as we felt 2 million human beings for peace and against war moving around us like a slow, wide river. Adrian was momentarily the rock midstream.

Federico Garcia Lorca: the poet at five in the afternoon

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When fascist thugs murdered the 38 year old poet Federico García Lorca in Granada in August 1936, they pinned a note to his body. It denounced the writer for his politics and for his homosexuality.

But all that they achieved was that Lorca's name would still be known and celebrated two generations later. He would not die like his bullfighter friend Ignacio Sanchez Mejias, at five in the afternoon.

"A boy brought the white sheet
at five in the afternoon.
A frail of lime already prepared
at five in the afternoon.
The rest was death and death alone
at five in the afternoon."

A Long Way from Home

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Richard Bradbury recalls the life and work of the black poet Claude McKay.

If we must die, let it not be like hogs
Hunted and penned in an inglorious spot,
While round us bark the mad and hungry dogs,
Making their mock at our accursed lot.
If we must die, O let us nobly die,
So that our precious blood may not be shed
In vain; then even the monsters we defy
Shall be constrained to honor us though dead!
O kinsmen we must meet the common foe!
Though far outnumbered let us show us brave,
And for their thousand blows deal one deathblow!
What though before us lies the open grave?

Exploding in Anger

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Review of 'The Shadow Knows', Adrian Mitchell, Bloodaxe £9.95

Last month I attended a fantastic cultural event at the European Social Forum in London, an evening of radical poetry - the highlight was a film of Adrian Mitchell performing his famous anti-war poem 'To Whom it May Concern', written for the anti Vietnam War movement and recently revived by Mitchell for a new generation of anti-war activists. Mitchell's latest collection of poetry, The Shadow Knows, is dedicated to all those millions of people who took part on 15 February 2003 in the greatest demonstration against war that the world has ever known.

Benjamin Zephaniah: Rage of Empire

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Hassan Mahamdallie speaks to Benjamin Zephaniah about the poet and author's art and politics.

I was struck by the Guardian article about you turning down the OBE in which you wrote, 'I woke up on the morning of 13 November wondering how the government could be overthrown and what could replace it, and then I noticed a letter from the prime minister's office.'

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